Copy and paste notes for programs.
Milori Blue
for euphonium and piano
Named after a lush and misty pigment, Milori Blue is a sonata for solo euphonium in the tradition of the many contemporary "color" pieces I always enjoy. In three movements (a sonata-like fast/slow/fast structure), the work plays with moods of "blue", both harmonic and evocative. Written for euphoniumist Pat Stuckemeyer, Milori Blue premiered at the 2010 International Tuba-Euphonium Association Conference.
—JN
1861, a hymn fantasia for concert band -
view note
3 O’Clock Mix, for school ensemble -
view note
Across the groaning continent, from Symphony No. 1, My Hands Are a City -
view note
As the scent of spring rain..., for wind ensemble -
view note
Avenue X, for wind band -
view note
Blow It Up, Start Again, for orchestra -
view note
Blow It Up, Start Again, for wind ensemble -
view note
Chunk, a funk for winds and percussion -
view note
Climbing Parnassus, for wind ensemble -
view note
Concertino, for flute solo, chamber winds, and piano -
view note
De Profundis, for massed winds -
view note
Deep Sky Blue, for viola and piano -
view note
Dohyci, miniature for violin and bass clarinet -
view note
Lullaby for Munch in Hell, for saxophone quartet -
view note
Metropolitan, for orchestra -
view note
Moon by Night, for band and optional chorus -
view note
Moon by Night, Anthem for SATB chorus -
view note
My Hands Are a City, from Symphony No. 1, My Hands Are a City -
view note
Nocturnes, for piano solo -
view note
Ohanashi, for sinfonia -
view note
OK Feel Good, for chamber group -
view note
OK Feel Good, for wind orchestra -
view note
Practicing Joy, for percussion solo -
view note
Prayers of Steel, for brass quintet -
view note
Prelude on "Schmücke Dich", for organ solo -
view note
Single, for wind band -
view note
Sowing Useful Truths, for wind ensemble -
view note
Stereo Action, for percussion ensemble -
view note
Symphony No. 1, My Hands Are a City, for wind ensemble -
view note
The Americans, from Symphony No. 1, My Hands Are a City -
view note
The Rivers of Bowery, an overture for winds, brass, and percussion -
view note
The Vinyl Six, for mixed chamber ensemble -
view note
These Inflected Tentacles, for marimba, piano, violin, and cello -
view note
Tree, for string orchestra -
view note
Uncle Sid, fantasy on a folk tune -
view note
Verses from Solomon, for soprano and organ -
view note
Vivid Geography, for women's chorus and chamber orchestra -
view note
Wapwallopen, string quartet no. 1 -
view note
